I t's hard to believe that things are already winding down here at the excavations. I went out to the site this morning (we left at 6:30 as usual) and everyone was tidying up their excavation units in preparation for a big site tour tomorrow. The American Ambassador is coming to visit Jenné-jeno and all the important men in the town of Jenné will be there too. So we cleaned up the house foundations and hearths that have been uncovered and got everything drawn and photographed. I started a video that I am calling "A Day in the Life of an Archaeologist", so I stayed at one unit to get all the cleaning and drawing action on film. Many people don't realize it, but this is a large part of what archaeologists do. It's not very exciting, but getting the data recorded is as important as making big discoveries.
One of the things I've done in Jenné is to go visit a potter as she worked, to see how she made the pottery that people use here. Almost everyone uses a ceramic ji daga (water pot), small bowls for hand-washing, pot lids for cooking pots (even though many people have metal round-bottomed cooking pots because they don't break). So the potters stay busy.
We walked to the potter's house in the morning and an old woman greeted us at
the door of a one-story mud house. She was the grandmother of the potter we
would visit and she, too, was a potter. Potting runs in the family - only
certain groups make pottery, and the craft is passed from mother to daughter.
Potters marry blacksmiths, and blacksmith fathers teach their sons and male
relatives. The blacksmith's apprentice I interviewed a while back turns out to
be a cousin of the potter I am going to see. As we left for the workshop, we
saw many broken pots piled against the wall across from the front door of the
house. The old women explained that these pots had been collected to be ground
up in a mortar, then sieved, and the finest pieces added to clay as temper.
This makes the clay easier to handle, and helps to keep it from breaking when
the pot is fired.
At the workshop (really, it was the front room of her house) the potter was seated on the floor with a large, shallow bowl between her legs. It was dark in the room, with only a small window and the door letting in light. Children crowded in the door to get a look at us. On this bowl, she placed a partially completed pot, to which she added a rope of clay to make a base on the pot to help it stand upright. She worked, smoothing the clay with one hand as she turned the big shallow bowl with the other. Oil placed on the ground under the big bowl helped it turn smoothly. If we visited a professional potter in the U.S., he or she would probably be using a potter's wheel, which goes around much faster. But the Jenné potter got a similar effect with a simpler technology. During the hour that we watched, she put bases on a half dozen pots that she had partially finished earlier in the day. She spit expertly into a corner every minute or so, observing Ramadan (the Islamic month of fasting during the day) by not even swallowing her own saliva! After putting the bases on, she showed us how she would apply an iron oxide pigment (hematite) that she had collected in the bush and ground to a fine powder. By mixing the pigment with water, she had a yellow paint that she could apply like a paint with a fur brush. I estimate that it must take her about two hours to make each of the small bowls she was producing in her personal assembly line. She sells them for 100 francs each (about 20 cents). In the U.S., she could probably get about 20 dollars for the same hand-crafted pot!