RICE UNIVERSITY Fall, 2004 ENGLISH 317/WTSG
317/MDST 301: ARTHURIAN LITERATURE: |
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The “Reel” Arthur DR. JANE CHANCE 10:50-12:05 TTH 117 Huma Distribution I course DESCRIPTION: A survey of the origins and development of the Arthurian legend from the earliest chronicles in the sixth century and later medieval French, Welsh, Irish, and English Arthurian
poems to modern adaptations of Arthurian material, especially films. PURPOSE: This course will investigate the major traditions associated with King Arthur and his knights of the Round Table. We will witness the growth of the Arthurian legend and investigate some of the reasons for its continuing allure. The course has the additional purpose of helping us see the way legends are developed and understand the forces which seem to contribute to their growth and popularity. |
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GRADES: midterm and second examinations = 50%
Two
papers/presentations/discussion = 50%
Attendance is mandatory and highly desirable; students are
expected and encouraged to come to class prepared to discuss the assigned
reading. Participation counts for borderline grades.
TEXTS (all in paper, on reserve): In order of assignment (prices by
amazon.com)
Excerpts from early (6th-9th
c.) Arthurian Chronicles and Histories (Hand-out)
“The Dream of Rhonabwy,”
from the Mabinogion (Penguin)
(Hand-out)
Geoffrey of Monmouth, History of the Kings of Britain, trans. Lewis Thorpe (Penguin) 0140441700 $11.16 DA140 .G353 1966
Wace, Layamon, Arthurian Chronicles, trans. Eugene Mason (University of Toronto) (Hand-out of select passages)
Marie de France, Lanval, trans. Robert Hanning and Joan
Ferrante (Baker Books) (Hand-out)
PQ1494.L3 E5 1982
Chrétien de Troyes, Arthurian Romances, trans.
William Kibler (Penguin)
0140445218 $11.20PQ1447 .E5 K53 1991
Sir Gawain and the Green Knight, trans. James Winney (Broadview) 0921149921 $9.95
PR2065.G31992
Sir Thomas Malory, Le Morte d’Arthur, ed. Stephen H. A. Shepherd (Norton)
0-393-97464-2
See Shepherd’s Website: http://faculty.smu.edu/sshepher/MorteDarthur.htm
FILMS (all on reserve) Viewings TBA
Camelot (1967),
dir. Joshua Logan PN1997 .C2434
1997 V.1-2 227 mins.
Lancelot of the Lake
(1974), dir. Robert Bresson PN1997 .L348 1995
80 mins.
Monty Python and the Holy Grail
(1975), dir. Terry Gilliam and Terry Jones 90 mins. PN1997 .M68 1991
Excalibur
(1981), dir. John Boorman 141 mins. PN1997 .E92
1991
The Natural
(1984), dir. Barry Levinson PN1997
.K387 2001 138 mins.
The Fisher King (1991), dir. Terry Gilliam
PN1997 .F573 1992 137 mins.
First Knight (1995), dir. Jerry Zucker PN1997 .F572 2000 134 mins.
Mists of Avalon
(2001), dir. Uli Edel PN 1997 .m632 2001 178 mins.
King
Arthur (2004), dir. Antoine Fuqua (at local theatres)
Films
will be shown on Sundays 6:30-9:30 (time depending on length) in 117 HUMA
6:30-10 from 10-3 to 11-28
SYLLABUS:
I. Introduction
First Week
Aug. 24 Tues. Topic: Introduction—An
Historical or Legendary Arthur?
Read Excerpts from Early Chronicles and Histories
(Hand-out)
Gildas, De Excidio
et Conquesto Britanniae [On the Fall and Conquest of Britain] (c. 540), pp. 3-4
Bede, Historia Ecclesiastics Gentis Anglorum [Ecclesiastical History of
the English People] (c.751), pp. 4-5
II. The Literary Backgrounds and
Traditions
Aug. 26 Thurs. Topic: The Legendary Arthur
Read Excerpts from Early
Chronicles and Histories (Hand-out):
Nennius, Historia
Brittonum [History of the Britons] (c. 800), pp. 5-6
Annales Cambriae
[The Annals of Wales] (c. 950), p.7
William of Malmesabury, Gesta Regum Anglorum [History of the
Kings of the English] (c. 1125), pp. 7-8
Giraldus Cambrensis, De Principis Instructionae [On the
Education of a Prince] (c. 1195), pp.
9-11
Second Week
Aug. 31 Tues. Topic: Arthur of Camelot: Fact or Fiction? The Archaeology
Videotape on King Arthur: In Class
Topic: Geoffrey of Monmouth and the
History of Arthur
Read Geoffrey of Monmouth, Historiae Regum Brittonum [History of
the Kings of Britain] (ca.
1129-1151), dedication & part I, Brutus, pp. 51-74; part IV, The Boy
Merlin, pp. 166-69; part V, Merlin; 170-85; part VI, Merlin, Vortigern, Uther Pendragon, pp. 186-211
Sept. 2 Thurs. Topic: Geoffrey of Monmouth and the
History of Arthur
Read Geoffrey of Monmouth, Historiae Regum Brittonum (ca.
1129-1151), part VII, Arthur of Britain, pp. 212-61
Third Week
Sept. 7 Tues. Topic: Vernacular Arthurs: French and English Chronicles by Wace and
Layamon
Read Wace and La3amon (hand-outs)
Sept. 9 Thurs. Topic:
Welsh Romance and the Battle of Camlann
Read “Dream of Rhonabwy”
from the Mabinogian (hand-out)
Fourth Week
Sept. 14 Tues. Topic:
Gendering the Round Table through Alterity
Read Marie de France, Lanval
(hand-out)
Sept. 16 Thurs. Topic:
Chrétien, Lancelot, or Knight of the
Cart: Parody or Romance?
Read Chrétien, Lancelot, or Knight of the Cart, in
Kibler
Fifth Week
Sept. 21 Tues.
Sept. 23 Thurs. Topic: Sir Gawain and the Green Knight:
Romance or Ritual?
Read Sir Gawain and the Green
Knight, Winney’s trans., Fitts 1-2
MID-TERM ID'S AND ESSAY QUESTIONS DUE FOR STUDY GUIDE
Sixth Week
Sept. 28 Tues. Topic:
Gay Gawain?
Read Fitts 3-4
Sept. 30 Thurs. Topic: Malory and the Creation of the Round
Table
Reading: Malory, Le Morte
d’Arthur, “Fro the Maryage of Kynge Uther Unto King Arthure that Regned
after Hym,” pp. 1-112
Sunday viewing: Camelot
Seventh Week
Oct. 5 Tues. Topic: Malory and the Fall of the Round Table,
or The Flight from Eden
Reading: Malory, Le Morte
d’Arthur, “The Tale of Sir
Launcelot and Quene Gwenyvere,” pp. 588-645
Oct. 7 Thurs. Topic:
Malory and the Death of Arthur
Reading: Malory, Le Morte d’Arthur, “The Dethe of Arthur,”
pp. 646-98
Oct. 8 Fri. MID-TERM
EXAMINATION due 9 A.M. at 235 Herring Hall or by e-mail
Eighth Week
Sunday viewing: Lancelot of the
Lake (1974), dir. Robert Bresson
Oct. 11 & 12 Mon. and
Tues. MID-TERM RECESS
III. Individual Works: The
Masterpiece and the Reinterpretation, into the Twentieth Century
Oct. 14 Thurs. Topic: The
Postmodern Lancelot
Film: Lancelot of the Lake (1974), dir. Robert Bresson
Read: Excerpts from the Prose Lancelot and “Lancelot at the Perilous Chapel,”
Perlesaus, in Shepherd, ed. Le Morte d’Arthur, pp. 720-25
Oct. 15 Fri. Short Paper Due
at 9 a.m.
Ninth Week
Sunday viewing: Monty Python and
the Holy Grail
Oct. 19. Tues. Topic: Monty
Python and the Postmodern Arthur
Film: Monty Python and the Holy
Grail
(1975), dir. Terry Gilliam
Read: Malory, “The Tale of the Sankgreal,” Morte d’Arthur, pp. 496-587
Oct. 21 Thurs. Topic: Monty
Python and the Postmodern Grail
Film: Monty Python and the Holy
Grail
(1975), dir. Terry Gilliam
Tenth Week
Sunday viewing: Excalibur
Oct. 26 Tues. Topic: The
Postmodern Sword
Film: Excalibur (1981), dir. John Boorman
Read: Excerpts from The Prose Merlin and the Suite de
Merlin, in Shepherd, pp. 705-713
Oct. 28 Thurs. Topic: The Postmodern Sword
Film: Excalibur (1981), dir. John Boorman
Eleventh Week
Sunday viewing: The Natural
Nov. 2 Tues Topic: The Postmodern Perceval
Film: The Natural
(1984), dir. Barry Levinson
Read: Malory, “The Tale of the Sankgreal,” Morte d’Arthur, pp. 496-587, esp. pp.
521-31, 544-87
Nov. 4 Thurs. Topic: The
Postmodern Perceval
Film: The Natural
(1984), dir. Barry Levinson
Twelfth Week
Sunday viewing: First Knight
Nov. 9 Tues. Topic: Postmodern Guenevere
Film: First Knight
(1995), dir. Jerry Zucker
Read: Excerpts from the Stanzaic Morte and the Morte
le Roi Artu, in Sjepherd, pp. 740-58
Nov. 11 Thurs. Topic: Postmodern Guenevere
Film: First Knight
(1995), dir. Jerry Zucker
LONG PAPER TOPICS DUE
Thirteenth Week
Sunday viewing: The Fisher King
Nov. 16 Tues. Topic: Monty Python Redux, or The
Postmodern Grail
Film: The Fisher King (1991), dir. Terry Gilliam
Read: Excerpts from The
Queste del Saint Graal, in Shepherd, ed. Morte d’Arthur, pp. 733-39
Nov. 18 Thurs. Topic:
Monty Python Redux, or The Postmodern Grail
Film: The Fisher King (1991), dir. Terry Gilliam
Fourteenth Week
Sunday viewing: Mists of Avalon,
Part 1
Nov. 23 Tues. Topic: Postmodern
Morgan?
Film: Mists of Avalon
(2001), dir. Uli Edel
Read: “The Tale of Sir Launcelot du Lac,” in Malory, Morte d’Arthur, pp. 151-76
Nov. 25 Thurs. Thanksgiving Vacation
Fifteenth Week
Sunday viewing: Mists of Avalon
, Part 2
Nov. 28 Sun SECOND PAPER DUE
6 pm
Nov. 30 Tues. Topic: Postmodern Morgan?
Film: Mists of Avalon (2001),
dir. Uli Edel
Dec. 2 Thurs.
Summary and Evaluations
Dec. 3 Fri. SECOND EXAM DUE
9 a.m.
Note: Grades are due in the Registrar’s office Dec. 22 @ 5 p.m.
Requirements:
I. Short Paper (5-7 pp.) Due: Oct. 15 (Fri.)
Write a short paper on some aspect of any of the medieval works we are reading or
on one of the following selected topics (a research bibliography follows). In the first instance, check your idea with me. In the second, you don't need to check with
me unless you have questions, or you'd prefer a different topic.
List of Possible Topics
The Figure of Morgan le Fay
The Lady of the Lake
Merlin the Magician
Wace's Contribution to the Story of Arthur: The Round Table
The Legend of the Return of Arthur
The Origin and Significance of the Isle of Avalon
Chrétien and romance as a genre
Andreas Capellanus: The Meaning of Courtly Love
Chrétien's Concept of a Knight
Chrétien's Yvain and the Welsh "Lady of the Fountain"
Origins of Lancelot and Chrétien's Presentation of him as Knight of the Cart
Chrétien and Courtly Love
The Origin and Development of Gawain: The English and French Views of his
Character
The German Arthur?
Perceval: Permutations and Combinations
The Figure of Sir Kay: Welsh or French?
The Medieval Wheel of Fortune
The Alliterative Revival of the Fourteenth Century
Who was Sir Thomas Malory?
Theories of Grail Origin
The Function of the Grail Quest in the Morte Darthure
Malory and Amour Courtois
The Victorian Interest in Medievalism
Scholarship Bibliography (in our library)
Alcock, Leslie. Arthur's Britain.
Barber, Richard. King Arthur in Legend and History.
Benson, Larry D. Malory's Morte D'Arthur.
Bradbook, Muriel C. Sir Thomas Malory.
Bruce, James Douglas. The Evolution of Arthurian Romance. (2 vols.)
Chambers, E. K. Arthur of Britain.
Dean, Christopher. Arthur in the Middle Ages
Fenster, Thelma, and Mary
Erler, eds. Women in Arthurian Literature
Lambert, Mark. Malory: Style and Vision in Le Morte d'Arthur.
Loomis, Roger Sherman, ed. Arthurian Literature of the Middle Ages. (ALMA)
______. The Development of Arthurian Romance.
Matthews, William. The Ill-Framed Knight: A Skeptical Inquiry into the Identity of Sir Thomas Malory.
Moorman, Charles. A Knight There Was: The Evolution of the Knight in Literature.
Moorman, Charles and Ruth. An Arthurian Dictionary.
Newman, F. X., ed. The Meaning of Courtly Love.
Paton, Lucy. Studies in the Fairy Mythology of Arthurian Romance.
Steinbeck, John. The Acts of King Arthur and his Noble Knights.
Stewart, Mary. The Crystal Cave.
The Hollow Hills.
Sutcliff, Rosemary. The Sword at Sunset.
Tatlock, J.S.P. The Legendary History of Britain.
Vinaver, Eugene. The Rise of Romance.
_______________. The Works of Sir Thomas Malory.(3 vols.; Winchester manuscript; 3rd vol. notes)
Weston, Jessie. From Ritual to Romance.
White, T. H. The Book of Merlyn.
Williams, Charles. War in Heaven
II. Final Papers (approximately ten pages due at the end of the semester) Nov. 28 Sunday @ 6 p.m.
The major written project in this course will be a paper on a modern filmic treatment of the Arthurian
legend that you will view in addition to the assigned reading material. In this paper you are asked to consider two points: the director’s use of Arthurian sources and the work’s
artistic merit. That is, you should consider how the director/screenplay
writer makes use of the medieval materials related to Arthur and his knights and then determine whether or not the author has written an effective story or
work of art. Although all the films will be available for viewing at
Fondren, they may not be available elsewhere in Houston. Please make an attempt
to see each film at least once for class discussion and more than once if you
are writing on the film.
Two-four students will be assigned to each 2-hr. film as well with an
eye to an in class presentation/moderation of class discussion that will serve
as the basis for the formal paper.
In writing this paper, also be sure to consider the following:
1.
Does the director reach a different conclusion or provide a different outlook on the
character(s) than does his or her medieval source?
2.
How does the director's source differ from the medieval sources? What does the director
gain by altering his or her medieval source or including Arthurian materials in the story?
3. Is the author's use of Arthurian materials appropriate to the point s/he or she wishes
to make? Why?
4. How does film as a medium
allow perspectives to emerge differently from romance and chronicle?
5. In what way does the
director interweave a contemporary cultural perspective into the film’s
treatment or adaptation of Arthurian materials?
You may also choose a work from the following list to write about in your paper:
Berger, Thomas. Arthur Rex.
Bradshaw, Gillian. Hawk of May.
Kingdom of Summer.
In Winter's Shadow.
Chapman, Vera. The King's Damosel.
The Green Knight.
King Arthur's Daughter
Labenthal, Sanders Ann. Excalibur.
Lewis, C.S. That Hideous Strength
Malamud, Bernard. The Natural
Monaco, Richard. Parzival or the Knight's Tale.
Pyle, Howard. The Story of King Arthur and his Knights.
Seton, Anya. Avalon.
Steinbeck, John. The Acts of King Arthur and his Noble Knights.
Stewart, Mary. The Crystal Cave.
The Hollow Hills.
The Last Enchantment.
The Wicked Day.
Sutcliff, Rosemary. The Sword and the Circle.
King Arthur and the Knights of the Round Table.
-------, Sword at Sunset.
Twain, Mark. A Connecticut Yankee in King Arthur's Court.
White, T. H. The Book of Merlin.
Williams, Charles. Taliessen through Loges.
Region of the Summer Stars.
War in Heaven.
The long paper must be typewritten, doublespaced, with adequate margins, and submitted on the date due. Assignments will be graded on both form and content: strive for originality of
Thesis and cogency of argument, clear, coherent organization, and sufficient specificity and development.
For additional help with writing problems see William Strunk and E.B. White, The Elements of Style.
III. Examinations: two, Oct.
8 and Dec. 3. E-exams, honor code-bound.
CONFERENCES:
Office Hours 4-5
Thurs. and by appointment
Office 235 Herring Hall
Office Phone X2625
Dept. Secty: x4840 Office
Fax: 348-5991
Home: 713-524-3304
e-mail: jchance@rice.edu
web page: http://www.ruf.rice.edu/~jchance
http://www.ruf.rice.edu/~jchance/arthurian.htm