Fall, 2005
ENGLISH 317/WTSG
317/MDST 301: ARTHURIAN LITERATURE:
The “Reel” Arthur
DR. JANE CHANCE
2:30-3:45 TTH
Distribution I course



DESCRIPTION: A survey of the origins and development of the Arthurian legend from
the earliest chronicles in the sixth century and later medieval French, Welsh,
Irish, and English Arthurian poems to modern adaptations of Arthurian material,
ncluding films.
PURPOSE: This course will investigate the major
traditions associated with King Arthur and his
knights of the Round Table. We will witness the
growth of the Arthurian legend and investigate
some of the reasons for its continuing allure. The
course has the additional purpose of helping us
see the way legends are developed and understand the forces which seem to contribute to their
growth and popularity,
especially through the film discussions.
GRADES: Two examinations = 50%
One short paper and 1 group
power-point presentation/discussion = 50%
Attendance is mandatory and highly desirable; students are
expected and encouraged to come to class prepared to discuss the assigned
reading/viewing. Participation counts for borderline grades and by definition
for the film presentation
TEXTS (all in paper, on reserve): In order of assignment (prices by
amazon.com)
Excerpts from early (6th-9th
c.) Arthurian Chronicles and Histories (Hand-out)
“The Dream of Rhonabwy,”
from the Mabinogion (Hand-out)
Geoffrey of Monmouth, History of the Kings of Britain, trans. Lewis Thorpe (Penguin) 0140441700 $11.16 DA140 .G353 1966
Marie de France, Lanval, trans. Robert Hanning and Joan
Ferrante (Baker Books) (Hand-out)
PQ1494.L3 E5 1982
Chrétien de Troyes, Arthurian Romances, trans.
William Kibler (Penguin)
0140445218 $11.20PQ1447 .E5 K53 1991
Sir Gawain and the Green Knight, trans. James Winney (Broadview) 0921149921 $9.95
PR2065.G3 1992
Sir Thomas Malory, Le Morte d’Arthur, ed. Stephen H. A. Shepherd (Norton)
0-393-97464-2 $17.75
PR2041. M37 2004 See
Shepherd’s Website: http://faculty.smu.edu/sshepher/MorteDarthur.htm
FILMS (all on reserve, in order of discussion) Viewings other than at
the
The Sword in the Stone (1963), dir. Wolfgang
Reitherman 79 mins. Walt Disney
Productions
First Knight (1995), dir. Jerry Zucker
134 mins. Columbia TriStar 0800141601 PN1997 .F572 2000
Lancelot of the
Monty Python and the Holy Grail (1975), dir. Terry Gilliam and Terry Jones 90 mins.
Columbia TriStar B00005O3vc PN1997 .M68 1991
Excalibur (1981), dir. John Boorman 141 mins. Warner Studios 6305558167 PN1997 .E92 1991
The Natural (1984), dir. Barry Levinson 138
mins.
PN1997 .K387 2001
Gawain and the Green Knight (1991), dir. John Phillips
Thames Television On order
The Fisher King (1991), dir. Terry
Gilliam 137 mins.
PN1997 .F573 1992
Mists of Avalon (2001), dir. Uli Edel PN 178 mins. Turner Home Video B00005Qw5Y
1997 .m632 2001
King Arthur (2004), dir. Antoine Fuqua
Buena Vista Home Video B0002YlcGO PN 1997.2 .K56 2004
SYLLABUS:
I. Introduction
First Week
Aug. 21 Sunday @ 3,
Aug. 23 Tues. Topic: Introduction—An
Historical or Legendary Arthur?
Read Excerpts from Early Chronicles and Histories
(Hand-out)
Gildas, De Excidio
et Conquesto Britanniae [On the Fall and Conquest of
Bede, Historia Ecclesiastics Gentis Anglorum [Ecclesiastical History of
the English People] (c.751), pp. 4-5
II. The Literary Backgrounds and
Traditions
Aug. 25 Thurs. Topic: The Legendary Arthur
Read Excerpts from Early
Chronicles and Histories (Hand-out):
Nennius, Historia
Brittonum [History of the Britons] (c. 800), pp. 5-6
Annales Cambriae
[The Annals of Wales] (c. 950), p.7
William of Malmesbury, Gesta Regum Anglorum [History of the
Kings of the English] (c. 1125), pp. 7-8
Giraldus Cambrensis, De Principis Instructionae [On the
Education of a Prince] (c. 1195), pp.
9-11
Second Week
Aug. 30 Tues. Topic: Arthur of Camelot: Fact or Fiction? The Archaeology
Videotape on King Arthur: In Class
Topic: Geoffrey of Monmouth and the
History of Arthur
Read Geoffrey of Monmouth, Historiae Regum Brittonum [History of
the Kings of Britain] (ca.
1129-1151), dedication & part I, Brutus, pp. 51-74; part IV, The Boy
Merlin, pp. 166-69; part V, Merlin; 170-85; part VI, Merlin, Vortigern, Uther Pendragon, pp.
186-211
Sept. 1 Thurs. Topic: Geoffrey of Monmouth and the
History of Arthur
Read Geoffrey of Monmouth, Historiae Regum Brittonum (ca.
1129-1151), part VII, Arthur of Britain, pp. 212-61
Third Week
Sept. 6 Tues. Topic: Welsh Romance and the
Read “Dream of Rhonabwy”
from the Mabinogian (hand-out)
Sept. 8 Thurs. Topic: Gendering the Round Table through
Alterity
Read Marie de France, Lanval
(hand-out)
Fourth Week
Sept. 13 Tues. Topic: Chrétien, Lancelot, or Knight of the Cart: Parody or Romance?
Read Chrétien, Lancelot, or Knight of the Cart, in
Kibler
Sept. 15 Thurs. (cont.)
Fifth Week
Sept. 20 Tues. Topic: Sir Gawain and the Green Knight:
Romance or Ritual?
Read Sir Gawain and the Green
Knight, Winney’s trans., Fitts 1-2
Sept. 22 Thurs. Topic:
Gay Gawain?
Read Fitts 3-4
MID-TERM ID'S AND ESSAY QUESTIONS DUE FOR STUDY GUIDE
Sixth Week
Film viewing: The Sword in the
Stone (1963) (based on T.H. White, The Once and Future King, book
1)
Sept. 27 Tues. Topic: Malory and the Maturation of the
Hero
Sept. 29 Thurs. (cont.)
Seventh Week
Film viewing: First Knight
(1995),
dir. Jerry Zucker
Oct. 4 Tues. Topic: Malory and the Threat to the Old King
Oct. 6 Thurs. Topic:
Malory and the Death of Arthur
Oct. 7 Fri. MID-TERM
EXAMINATION due 9 A.M. at 235 Herring Hall or by e-mail
III. Individual Works: The
Masterpiece and the Reinterpretation, into the Twentieth Century
Eighth Week
Oct. 9 Sun @ 3
Oct. 10 & 11 Mon. and
Tues. MID-TERM RECESS
Oct. 13 Thurs. Topic: The
Postmodern Lancelot
Film: Lancelot of the
Read: Excerpts from the
Prose Lancelot and “Lancelot at the Perilous Chapel,” Perlesaus, in Shepherd, ed. Le Morte d’Arthur, pp. 720-25
Oct. 14 Fri. Paper Due at
9 a.m.
Ninth Week
Oct. 18. Tues. Topic: Monty
Python and the Postmodern Arthur
Film: Monty Python and the Holy
Grail
(1975), dir. Terry Gilliam
Read: Malory, “The Tale of the Sankgreal,” Morte d’Arthur, pp. 496-587
Oct. 20 Thurs. Topic: Monty
Python and the Postmodern Grail
Film: Monty Python and the Holy
Grail
(1975), dir. Terry Gilliam
Tenth Week
Film viewing: Excalibur
Oct. 25 Tues. Topic: The
Postmodern Sword
Film: Excalibur (1981), dir. John Boorman
Read: Excerpts from The Prose Merlin and the Suite de
Merlin, in Shepherd, pp. 705-713
Oct. 27 Thurs. Topic: The Postmodern Sword
Film: Excalibur (1981), dir. John Boorman
Eleventh Week
Film viewing: The Natural
Nov. 1 Tues Topic: The Postmodern Perceval
Film: The Natural
(1984), dir. Barry Levinson
Read: Malory, “The Tale of
the Sankgreal,” Morte d’Arthur, pp.
496-587, esp. pp. 521-31, 544-87
Nov. 3 Thurs. Topic: The
Postmodern Perceval
Film: The Natural
(1984), dir. Barry Levinson
Twelfth Week
Nov. 6 Sunday Film viewing@ 3 Media Center: Gawain
and the Green Knight
Nov. 8 Tues. Topic: Postmodern Sir Gawain?
Film:
Gawain and the Green Knight (1991), dir. John Phillips
Nov. 10 Thurs. Topic: Postmodern Sir Gawain?
Film: Gawain and the Green Knight
(1991), dir. John Phillips
Study Guide ID’s Due
Thirteenth Week
Film viewing: The Fisher King
Nov. 15 Tues. Topic: Monty Python Redux, or The
Postmodern Grail
Film: The Fisher King (1991), dir. Terry Gilliam
Read: Excerpts from The
Queste del Saint Graal, in Shepherd, ed. Morte d’Arthur, pp. 733-39
Nov. 17 Thurs. Topic:
Monty Python Redux, or The Postmodern Grail
Film: The Fisher King (1991), dir. Terry Gilliam
Fourteenth Week
Film viewing: Mists of Avalon,
Part 1
Nov. 22 Tues. Topic: Postmodern
Morgan?
Film: Mists of Avalon
(2001), dir. Uli Edel
Read: “The Tale of Sir Launcelot du Lac,” in Malory, Morte d’Arthur, pp. 151-76
Nov. 24 Thurs. Thanksgiving Vacation
Fifteenth Week
Film viewing: Mists of Avalon
, Part 2
Nov. 29 Tues. Topic: Postmodern Morgan?
Film: Mists of Avalon (2001),
dir. Uli Edel
Dec. 1 Thurs.
Summary and Evaluations
Dec. 2 Fri. SECOND EXAM
DUE 9 a.m.
Dec. 21: Grades are due at the Registrar’s.
Requirements:
I. Short Paper (no less than 5-7 pp.) Due: Oct. 14 (Fri.). The paper must be typewritten, doublespaced, with adequate margins, and submitted on the date due. Assignments will be graded on both form and content: originality of
thesis, cogency of argument, clear, coherent organization, and sufficient development.
Two choices of topic:
1. Write a short research paper or critical analysis on some aspect of any of the medieval
works we are reading or on on one of the following selected topics (a research bibliography fol