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Deborah Nelson-Campbell,
Ph.D., Ohio State University
Philology, Medieval French and Occitan Literature.
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 Photograph by Karen Sachar. |
Spring 2008 Courses:
Representative Publications:
The Songs of Andrieu Contredit d'Arras, critical edition and translation by Deborah H. Nelson with music arranged by Hendrik van der Werf. Amsterdam: Rodopi Press, 1992.
Charles d'Orléans an Analytical Bibliography. London: Grant and Cutler, 1990.
The Lyrics and Melodies of Adam de la Halle, edited and translated by Deborah H. Nelson with music arranged by Hendrik van der Werf. New York: Garland Press, 1985.
"Christine de Pizan and Courtly Love", in The Medieval Text. Methods and Hermeneutics. In Honor of Edelgard E. DuBruck. Ed. W. C. McDonald and G. R. Mermier. Fifteenth-Century Studies 17 (1990), pp. 281-89.
"A Woman is Like. . .," in Romance Quarterly, 46, no. 2 (1999), pp. 67-73.
"Silent Women," in Romance Notes, 40, no. 1 (1999), pp. 13-24.
"From Twelfth-Century Cortezia to Fifteenth-Century Courtoisie: Evolution of a Concept or Continuation of a Tradition?," Fifteenth-Century Studies, 25 (2000), pp. 86-96.
"Coping with Isolation: Strategies of Some Medieval French Noblewomen," Publications of the Medieval Association of the Midwest, 8 (2001) pp. 71-84.
"Grace Frank," forthcoming in Women Medievalists in the Academy, Jane Chance, ed. University of Wisconsin Press.
Book Reviews:
Cartulaire de l'Abbaye Saint-Sauveur de Redon (IXe-Xe si'ecles) published by the Association des Amis des Archives historiques du dioc'ece de rennes, Dol et Saint-Malo in 1998. Speculum 76, (July 2001), pp. 695-696.
Alison Williams. Tricksters and Pranksters. Roguery in French and German Literature of the Middle Ages and the Renaissance. Amsterdam: Rodopi Press, 2000. Forthcoming in Canadian Review of Comparative Literature.