Eight O'clock
This presentation of As You Like It marks the twentieth year of student produced Shakespeare at Baker College. Baker's annual Shakespeare Festival begins with the Fair, a light-hearted day of Renaissance entertainment. The play follows, to run for six nights. After the rigors of the play are over, members of Baker and Jones Colleges celebrate at a Shakespearian feast -- an evening of delectable repast and drunken revelry.
Monday morning dawns same as it ever was.
Duke Senior | Brian Donnell |
Duke Frederick | Mark Anderson |
Amiens | Jason Haddox |
Jaques | Don Russell |
Le Beau | Nick Shannin |
Charles | Brian Donnell |
Oliver | Jim Rollinson |
Jaques de Boys | Peter Williams |
Orlando | Alec Graham |
Adam | Marc Graham |
Dennis | Nick Shannin |
Touchstone | Joseph "Chepe" Lockett |
Sir Oliver Mar-text | Jason Haddox |
Corin | Stuart Derby |
Silvius | Bill Janvier |
William | Sean Callahan |
Hymen | A Voice [Alan David voiceover] |
Rosalind | Lisa May |
Celia | Bernadette Gillece |
Phebe | Andrea McCullough |
Audrey | Sarah Keller |
First Lady | Leigh Anne Duck |
Soldiers, Foresters,
Lords, and Ladies |
Anthony Holder Bob Sparr Karin Gastreich Dema Herriman Jesse Richardson John Pendergrass Kathy Oaks Mary Durbin Richard Silkebakken Tim Schmelter Yoshiko Ishida Bobb Head |
Act I | |
Scene i | Orchard of Oliver's House |
Scene ii | The Duke's Palace |
Scene iii | The Palace |
Act II | |
Scene i | The Forest of Arden |
Scene ii | The Palace |
Scene iii | Oliver's House |
Scene iv | | | The Forest | | |
Scene v | |
Scene vi | |
Scene vii | |
Act III | |
Scene i | The Palace |
Scene ii | | | The Forest | | |
Scene iii | |
Scene iv | |
Scene v | |
Act IV | |
Scene i | | | The Forest | |
Scene ii | |
Scene iii | |
Act V | |
Scene i | | | The Forest | | |
Scene ii | |
Scene iii | |
Scene iv | |
Epilogue | The Forest |
Organizational Staff | |
Director | Alan David |
Assistant Directors | Damla Karsan Margot Merek |
Producer | Roswitha Firth |
Publicity | Ann Pace |
House Manager | Matt Cohen |
T-shirts, posters, and program cover |
George Langworthy |
Design Staff | |
Stage and Lighting | Don Russell |
Costume | Shannon Halwes |
Make-up | Nellee Black Tompson |
Graphics | Ken Wood |
Original Music | Brian "Binkley" Oxley |
Production Staff | |
Stage Construction | Don Russell |
Costume Coordinator | Shannon Halwes |
Stage Manager | Sean Callahan |
Properties | Merrill Aldrich |
Sound Coordinator | Brad Bush |
Music Coordinator | Jason Haddox |
Box Office | Becky Evans Amy Newsome |
Program | Merrill Aldrich Roswitha Firth |
Crisis Coordinator | George Langworthy |
Production Crew | |
Stage and Light Crew | Merrill Aldrich Sean Callahan Mike Cervantes Stuart Derby Roswitha Firth Denise Logsdon Don Russell Larry Simon Alán López Ed Cartwright Anthony Holder |
Light Board | Susie Schneider |
Sound | Leslie Baker |
Costume Crew | Shannon Hawles Denise Logsdon Gwen Richard Ariel Strichartz Roswitha Firth Ed Cartwright Jason Haddox |
Make-up Crew | Jenny Benson Cat Stadtler Tanya Kalich |
Ticket Sales | Brett Covington Shari Casteel Yoshiko Ishida Tracy Freeman Jeff Persch Ross Grady Audrey Hooks Raquel Arnold Jennifer Newmann Brett Sileo Brad Bush Penn Gutierrez David Hancock Alán López |
Production Crew(continued) | |
Photography | Penn Gutierrez |
Program Ad Sales | Claire Dooley |
Ushers | Adam Goodman Tiffani Cook Ellen Rein David Old Ilene Rubowitz Mike Ruff Jackie Rosenthal Ross Grady Steve Cantrell |
I have acted in As You Like It and seen several productions and been impatient with interpretations that make the play seem safe, a rural romp. I've always suspected that it is a much more dangerous play, one that challenges notions of gender, that asks questions about the boundaries of our "male" and "female" natures.
It's so modern: it's what the feminist movement has been doing for the past twenty years, taking recently held myths and beginning to pry them open.
The play is about love, love in all its forms, warts and all. It's also deeply anti-romantic and consciously so, for, if women are idealized by men, how can relationships be sustained? Without knowledge, love is not real: it remains in the area of fantasy.
I hope you enjoy it.
Alan David has been an actor for twenty five years. At first he worked in regional repertory theaters around England and after nine years began appearing on television. He joined the Royal Shakespeare Company in 1978, appearing in Trevor Nunn's celebrated production of As You Like It and more recently in the award-winning U.S. tour of Nicholas Nickleby, also directed by Trevor Nunn, which took him to Los Angeles and Broadway.
Last summer Alan completed a television series for the B.B.C. called
Making Out, which is currently being shown on British television.
It has proved such a success that on his return home, Alan immediately
starts filming a second series.
Shakespeare's source for As You Like It is Thomas Lodge's pastoral romance, Rosalynde: or, Euphues' Golden Legacy, printed in 1590. This romance in turn is based in part on a short narrative poem of the fourteenth century, "The Tale of Gamelyn," telling of the unjust treatment of Gamelyn by his older brother, the bloody fights between them, Gamelyn's flight to the greenwood, where he becomes the leader of a happy band of outlaws, and the eventual recovery of his land after his brother has been hanged. The only reference to love comes in the last lines, where we are told that Gamelyn took a "wyf bothe goode and feyr."
Special Thanks to | |
Autry House | Patrice Carmichael |
Lois Pool | Nanette Griffin |
Roxanne & Ed Shaw | Rich Nuzun |
Ann of Autry House | Bob Ives |
Kitty Yelenosky | Bob Mathis |
Drs. Rod and Susan McIntosh | William Boorom |
MW, VAR, and GAM | Colonel Bubbie's |
Baker Theatre's | |||||||||||||||||||||||||||||||||||||||
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Last modified June 11, 1996 by Proteus Internet Information. Send corrections or comments. And if you don't like it, well you can just go get yourself a Shakespearean insult.